Despite their reputation as venue trashing avatars of sweaty debauchery and roaring garage rock chaos, the Black Lips possess a strikingly appealing pop sensibility and a knowing sense of humor that charmingly offsets their hedonistic poses. This is a band whose freewheeling carelessness reminds the listener that rock and roll is first and foremost about unbridled fun and youthful exhilaration. On Good Bad Not Evil they channel the gleeful incompetence and snarling but cutely precocious badinage of a thousand nameless teen combos from decades past.

Listen to Good Bad Not Evilby Black Lips on Slacker Radio, where you can also create personalized internet radio stations based on your favorite albums, artists and. Pes 2013 Patch 6.0 Utorrent. Find album reviews, stream songs, credits and award information for Good Bad Not Evil - Black Lips on AllMusic - 2007 - Some bands strive to explore new musical. Listen to Good Bad Not Evilby Black Lips on Slacker Radio, where you can also create personalized internet radio stations based on your favorite albums, artists and.

Thankfully the Black Lips are not content to be pegged as also ran garage revivalists, and the chiming chords of “Cold Hands”, and the hummable chorus of the stomping “Bad Kids” owe as much to New Zealand pop merchants The Clean as to the garage staples to whom the band are constantly compared. Though the album is marred by a few half-hearted excursions into moonshine drenched faux-country, the Black Lips sense of fun is so contagious that one can’t help but snicker along with the maudlin honky-tonk of “How Do You Tell A Child Someone Has Died.” While other bands drown in po-faced self-seriousness, the Black Lips continue to create albums full of transcendent trash with a laugh and a smile. Despite their reputation as venue trashing avatars of sweaty debauchery and roaring garage rock chaos, the Black Lips possess a strikingly appealing pop sensibility and a knowing sense of humor that charmingly offsets their hedonistic poses. This is a band whose freewheeling carelessness reminds the listener that rock and roll is first and foremost about unbridled fun and youthful exhilaration. On Good Bad Not Evil they channel the gleeful incompetence and snarling but cutely precocious badinage of a thousand nameless teen combos from decades past. Thankfully the Black Lips are not content to be pegged as also ran garage revivalists, and the chiming chords of “Cold Hands”, and the hummable chorus of the stomping “Bad Kids” owe as much to New Zealand pop merchants The Clean as to the garage staples to whom the band are constantly compared.

Though the album is marred by a few half-hearted excursions into moonshine drenched faux-country, the Black Lips sense of fun is so contagious that one can’t help but snicker along with the maudlin honky-tonk of “How Do You Tell A Child Someone Has Died.” While other bands drown in po-faced self-seriousness, the Black Lips continue to create albums full of transcendent trash with a laugh and a smile.